# xmcd CD database file
# Copyright (C) 1993-1996 Ti Kan
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# Disc length: 4320 seconds
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# Revision: 1
# Processed by: cddbd v1.4b32PL0 Copyright (c) 1996-1997 Steve Scherf
# Submitted via: CDValet v3.01 - Copyright (c) 1997 Greg Leichner
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DISCID=2810de14
DTITLE=Pink Floyd / Total Eclipse Box Set [Disc 1]
TTITLE0=Arnold Layne
TTITLE1=Candy And A Currant Bun
TTITLE2=See Emily Play
TTITLE3=Flaming
TTITLE4=The Scarecrow
TTITLE5=The Gnome
TTITLE6=Mathilda Mother
TTITLE7=Scream Thy Last Scream
TTITLE8=Vegetable Man
TTITLE9=Apples And Oranges
TTITLE10=Pow R. Toc H.
TTITLE11=Jugband Blues
TTITLE12=Nick's Boogie
TTITLE13=It Would Be So Nice
TTITLE14=Julia Dream
TTITLE15=Let There Be More Light
TTITLE16=Murderistic Women
TTITLE17=Massed Gadgets Of Hercules
TTITLE18=Point Me At The Sky
TTITLE19=Baby Blue Shuffle In D Minor
EXTD=Total Eclipse - A Retrospective 1967-1993.\nGDR CD 9320\nGreat Dane Recor
EXTD=ds-Italy, 1993
EXTT0=(Barrett) - The Pink Floyd's first single, released in the U.K. March 11
EXTT0=th, 1967, was one of a handful of tracks that was laid down at their fir
EXTT0=st studio recording session. Produced by Joe Boyd at Sound Techniques ch
EXTT0=osen because unlike the other tracks it was short enough to release as a
EXTT0= single. The Pink Floyd made three appearances on BBC-TV's "Top of the P
EXTT0=ops" promoting its release. Of the title itself Barrett stated, "I thoug
EXTT0=ht that Arnold Layne was a nice name and it fitted very well into the mu
EXTT0=sic I had written." It charted number 20 in the U.K.
EXTT1=(Barrett) - The B-side to "Arnold Layne" was recorded at the same sessio
EXTT1=n along with an early version of "Interstellar Overdrive." Originally ti
EXTT1=tled "Let's Roll Another One" the lyrics were changed due to the obvious
EXTT1= drug inferences. Waters, commenting on the BBC's attitude towards the t
EXTT1=rack, recalled "They didn't like that at all. Very under the arm." The s
EXTT1=ong dates back to the Floyd's Free School repertoire.
EXTT2=(Barrett) - The second single by the Floyd, was recorded on May 23rd, 19
EXTT2=67, at Sound Techniques Studios after sessions at EMI failed to capture 
EXTT2=the essence found on Arnold Layne. Two of the Floyd's biographers, Miles
EXTT2= and Karl Dallas, dispute Emily's origins. Miles states that the track i
EXTT2=s a reworking of the "Games for May" concert performed at the Queen Eliz
EXTT2=abeth Hall on May 12th 1967, while Dallas says that "Emily" was performe
EXTT2=d April 29th at the 14 Hour Technicolor Dream in Aid of the Internationa
EXTT2=l Times. Nick Schaffner's book states that "Emily" was in real life the 
EXTT2=daughter of Lord Kenner (Wayland Young) who was well known to the UFO cl
EXTT2=ub crowd. Schaffner also reports that David Gilmour, who was coincidenta
EXTT2=lly at the session who his band Joker's Wild, first noticed Syd's mental
EXTT2= decline. Released on June 16th, 1967, it charted number 6 in the U.K. a
EXTT2=nd 134 in the U.S.
EXTT3=(Barrett) - Deleted from the U.S. release of "Piper at the Gates of Dawn
EXTT3=," "Flaming" later appeared as a single on August 5th, 1967. Performed l
EXTT3=ive for a brief period, as well as BBC and French TV appearances.
EXTT4=(Barrett) - These cuts were the first of many recorded for the John Peel
EXTT4='s "Top Gear" show on BBC radio, and was first broadcast on September 30
EXTT4=th, 1967.
EXTT5=(Barrett) - These cuts were the first of many recorded for the John Peel
EXTT5='s "Top Gear" show on BBC radio, and was first broadcast on September 30
EXTT5=th, 1967.
EXTT6=(Barrett) - All three tracks appear on the first Floyd album "Piper at t
EXTT6=he Gates of Dawn." These cuts were the first of many recorded for the Jo
EXTT6=hn Peel's "Top Gear" show on BBC radio, and was first broadcast on Septe
EXTT6=mber 30th, 1967.
EXTT7=(Barrett) -  Recorded in August, 1967, "Scream Thy Last Scream" was plan
EXTT7=ned as the Floyd's thid single. The song was performed live during 1967,
EXTT7= and was also entitled "Scream Thy Last Scream Old Woman with a Casket" 
EXTT7=and the shorter "Old Woman with a Casket." 
EXTT8=(Barrett) - Also recorded in August of 1967 was the unreleased "Vegetabl
EXTT8=e Man." Manager Pete Jenner recalls the origins of the song. "Syd was ar
EXTT8=ound at my house just before he had to go to record - and because a song
EXTT8= was needed, he just wrote a description of what he was wearing at the t
EXTT8=ime, and threw in a chorus that went 'Vegetable Man, where are you?'." T
EXTT8=his is one of the last sessions featuring Syd Barrett with the Pink Floy
EXTT8=d. These two tracks are the actual August 9th, 1967 sessions. 
EXTT9=(Barrett) - A thid single that fared poorly in the charts. The track was
EXTT9= recorded in August of 1967 and released on November 18th. A promotional
EXTT9= feam featured a Barret-less Floyd, with Roger Waters lip-syncing to Syd
EXTT9='s vocal. Waters' recollection of the track was that it was a "fucking g
EXTT9=ood song," that "was destroyed by the production." All around, producer 
EXTT9=Norman Smith seems to have become the fall-guy for the failure of this s
EXTT9=ingle.
EXTT10=(Barrett/Mason/Waters/Wright)
EXTT11=(Barrett) - "Pow R, Toc H" is from "Piper at the Gates of Dawn" and "Ju
EXTT11=gband Blues" was recorded at the time of "Apples and Oranges." So disap
EXTT11=pointing was the reaction to "Apples and Oranges" that their manager, P
EXTT11=ete Jenner, proposed releasing "Jugband Blues" in its place. "Jugband B
EXTT11=lues" was used by the Central Office of Information for a promotional f
EXTT11=ilm about Britain that was distributed in the U.S. and Canada. For the 
EXTT11=track Syd Barrett brought a Salvation Army band into the studio, instru
EXTT11=cting them to "play what you want to." These tracks are taken from the 
EXTT11=second session they did for John Peel's "Top Gear" show, broadcast on D
EXTT11=ecember 19th, 1967.
EXTT12=(Barrett/Mason/Waters/Wright) - A studio outtake that was recorded in A
EXTT12=pril of 1967 for the soundtrack to the film "Tonite Let's All Make Love
EXTT12= in London." "Nick's Boogie" has only been offically available as a CD 
EXTT12=bonus track since the soundtrack album was released in 1990. This exten
EXTT12=ded instrumental is a variation of "Interstellar Overdrive."
EXTT13=(Wright) - The Floyd's fourth single released on April 12th, 1968. "Fuc
EXTT13=king awful that record, wasn't it?" recalls Nick Mason about the track.
EXTT13= There was a general feeling at the time that the band needed a commerc
EXTT13=ial hit and this single was an attempt at that. The version released to
EXTT13= the stores mentions he London evening newspaper The Evening Standard, 
EXTT13=but the BBC, fearful of advertising, made the Floyd change the lyric to
EXTT13= The Daily Standard. "At that period we had no clear direction," stated
EXTT13= Mason.
EXTT14=(Wright) - Taken from the June 25th, 1968 Top Gear session, these track
EXTT14=s are some of the first recorded performances of Pink Floyd with David 
EXTT14=Gilmour (there had been a brief period with both Barrett and Gilmour in
EXTT14= the line-up). Julia Dream had been the B-side to "It Would Be So Nice"
EXTT14= and featured David Gilmour on vocals.
EXTT15=(Waters) - "Let There Be More Light" was released in the U.S. as a B-si
EXTT15=de to "Remember A Day," and the 1981 release of the remixed "Money."
EXTT16=(Waters) - "Murderistic Women"  was an earlier, shorter version of "Car
EXTT16=eful With That Axe Eugene." Up until the "In the Flesh" tour of 1977, P
EXTT16=ink Floyd regularly tried out new tracks in front of live audiences, of
EXTT16=ten with very different titles from the finished piece. "Careful With T
EXTT16=hat Axe, Eugene" was also the B-side to their next single.
EXTT17=(Gilmour/Mason/Waters/Wright)
EXTT18=(Waters) - Their fifth single, released on December 17, 1968 was produc
EXTT18=ed by Norman Smith. It failed so badly in the charts that the Floyd did
EXTT18= not release another single until "Another Brick in the Wall - Part II"
EXTT18= in 1979. The promotional film for "Point Me At The Sky" features the F
EXTT18=loyd flying in a yellow biplane, and photos from this promo film appear
EXTT18= on the double compilation album "A Nice Pair." As he did with "Apples 
EXTT18=and Oranges," Roger Waters defended the song, blaming its failure on th
EXTT18=e poor production.
EXTT19=(Gilmour) - "Baby Blue Shuffle in D Minor" was the working title for wh
EXTT19=at would later become "The Narrow Way - Part 1" on "Ummagumma." This wa
EXTT19=s written by David Gilmour as his contribution to the solo section of t
EXTT19=he album.
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