# xmcd CD database file
# Copyright (C) 1993-1996 Ti Kan
#
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# Disc length: 4314 seconds
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# Revision: 1
# Processed by: cddbd v1.4b16PL0 Copyright (c) 1996-1997 Steve Scherf
# Submitted via: xmcd 2.0
#
DISCID=0e10d814
DTITLE=Ken Ishii Presents X-Mix Fast Forward and Rewind
TTITLE0=United Future Organization / Fool's Paradise
TTITLE1=Renegade Soundwave / The Phantom (Turntable Scratch Mix)
TTITLE2=Fretless AZM / Bumbuphone
TTITLE3=The Innocent / Theme from the Innocent
TTITLE4=Basement Jaxx / Fly Life
TTITLE5=Flare / NP2.1
TTITLE6=Symbols & Instruments / Mood (Optimystic Mix)
TTITLE7=Strange Attractor / Gyroscope
TTITLE8=Frank de Wulf / Drums in a Grip
TTITLE9=Ghetto Brothers / Pumpin' Bass Manoeuvres
TTITLE10=Jedi Knights / Dance of the Naughty Knights
TTITLE11=Coldcut / Atomic Moog 2000
TTITLE12=Buckfunk 3000 / Buckfunk Discotheque
TTITLE13=Flare / DIR.R
TTITLE14=Ken Ishii / Circular Motion
TTITLE15=Ken Ishii / Echo Exit
TTITLE16=Locust / No-One In the World
TTITLE17=Jake Slazenger / Nautilus
TTITLE18=Squarepusher / Squarepusher Theme
TTITLE19=Silent Poets / Mass
EXTD=When Ken Ishii appeared on the European scene, the \nSapporo born
EXTD=, Tokyo-based prodigy was welcomed as the \nfirst techno producer
EXTD= from the Land of the Rising Sun. The \nculture that manufactured
EXTD= the machines that made the \nmusic had - finally! - produced an 
EXTD=artist who could play \nthem. From the moment his very first rele
EXTD=se appeared on t\nhe R&S Label, Ken Ishii's work commanded an ent
EXTD=husiastic\nattention.\n\nBut to wrap Ken Ishii's work upi in a pack
EXTD=age that says\n"Japanese techno" is to miss the point. While the 
EXTD=\npioneering electronic excursions of Japan's Yellow Magic\nOrches
EXTD=tra have had an undoubted effect on his music,.\nanyone tracking 
EXTD=the influences on Ken Ishii's sound must\nalso listen to Neu! and
EXTD= Kraftwerk, Derrick May and\nNitzer Ebb. In the end, Ken Ishii's 
EXTD=music is no one's but\nhis own.
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