# xmcd CD database file
# Copyright (C) 1997 Ti Kan
# 
# Track frame offsets:
#     150
#     30552
#     74517
#     115020
#     153120
#     187265
#     237135
#     272982
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# Disc length: 4297 seconds
# 
# Revision: 1
# Processed by: cddbd v1.4b32PL0 Copyright (c) 1996-1997 Steve Scherf
# Submitted via: DiscPlay 4.0.4
# 
DISCID=6a10c708
DTITLE=Phill Woods Quintet / Gratitude
TTITLE0=111-44 (One Hundred Eleven-Fourty Four)
TTITLE1=Another Jones
TTITLE2=Gratitude
TTITLE3=My Azure
TTITLE4=Serenade in Blue
TTITLE5=Tenor of the Times
TTITLE6=Times Mirror
TTITLE7=Ya Know
EXTD=
EXTT0=An Oliver Nelson original, recorded by \nhim and Eric Dolphy on the Ne
EXTT0=w Jazz \nLabel in 1961. The theme is presented in \nhard-bop style, af
EXTT0=ter which Woods' galant \nsolo style makes itself known. The charm \no
EXTT0=f his lusterous tone, along with his free, \nbig-scale play, is wonder
EXTT0=ful. Harrell takes \na solo, then joins Woods for some close \nharmony
EXTT0= trading that is very exciting.\n--Masamichi Okazaki 1986\n
EXTT1=Written by Hal Galper. Though based on \nthe bebop idiom, the number h
EXTT1=as a \ncontemporary sence in its progressive \ntrades between Phil's a
EXTT1=lto and the \ntrumpet and drums. The listener can \ndistinguish an int
EXTT1=eresting format where \nGalper's piano solo appears in between \ndrums
EXTT1= solos.\n--Masamichi Okazaki 1986\n
EXTT2=Tom Harrell penned this one. After \nintroducing the theme, full of mo
EXTT2=dern \nharmony and feelings, Wood takes a \nrelaxed solo, followed by 
EXTT2=a beautiful bit by \nGalper on piano. Harrell's ensuing solo is \nfree
EXTT2= and easy and is followed by Steve \nGilmore's bass solo.\n--Masamichi
EXTT2= Okazaki 1986\n
EXTT3=Written by Bill Mays. Woods plays \nclarinet here, but if you listen c
EXTT3=arefully, \nyou'll hear that the phrasing he uses is \nalmost identica
EXTT3=l to that he regularly \nemploys on alto. The melancholic \nensemble h
EXTT3=armony of clarinet and \nflugelhorn is beautiful.\n--Masamichi Okazaki
EXTT3= 1986\n
EXTT4=Harry Warren and Mack Gordon wrote \nthis one, and despite the memorab
EXTT4=le Glen \nMiller version, it continues to haunt \nmusicans and listene
EXTT4=rs with a deep blue \nmood no other song quite matches. Here, \nthe Wo
EXTT4=ods' ensemble starts it off with the \nlazzy atmosphere of the origina
EXTT4=l, Galper \nand Harrell take solos, then Woods \ncomes in with a rich 
EXTT4=and dynamic solo to \nwrap it up.\n--Masamichi Okazaki 1986\n
EXTT5=Joe Roccisano's original is the epitome of \nhard bop. Woods retains t
EXTT5=he up-tempo \npace, giving ample solo time to all; I find \nthe theme 
EXTT5=ensemble part, a hot session \nby all the members, very interestin.\n-
EXTT5=-Masamichi Okazaki 1986\n
EXTT6=Another Harrell original. Woods' alto is full \nof nuance and greatly 
EXTT6=contributes to the \noverall mood of this beautiful ballad. Hal \nGalp
EXTT6=er's piano solo in the middle is full of \nlyrical sense.\n--Masamichi
EXTT6= Okazaki 1986\n
EXTT7=Written by Joe Emley. Though the \nconcluding number on the album star
EXTT7=ts \noff with a relaxed feeling in a medium \ntempo, Woods' solo burns
EXTT7= more and more \npassionately as it nears the end. I think \nIt's a cl
EXTT7=assic example of Woods' \nimprovisation, and a fitting closer for the 
EXTT7=\nalbum.\n--Masamichi Okazaki 1986\n
PLAYORDER=
