# xmcd CD database file
# Copyright (C) 1993-1997  Ti Kan
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# Disc length: 4481 seconds
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# Revision: 3
# Processed by: cddbd v1.4b14PL0 Copyright (c) 1996-1997 Steve Scherf
# Submitted via: xmcd 2.1 PL2
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DISCID=0f117f13
DTITLE=Various / Space And Beyond (Disk 1)
TTITLE0=2001 : A Space Odyssey
TTITLE1=SFX - Apollo 13 Lift Off
TTITLE2=Apollo 13 - Main Titte
TTITLE3=The Right Stuff - Finale
TTITLE4=SFX - Accelerated Protein Synthesis In Alien Organism
TTITLE5=Species - End Title
TTITLE6=Lifeforce - End Title
TTITLE7=SFX - The Nostromo
TTITLE8=Alien - End Title
TTITLE9=Capricorn One - Overture
TTITLE10=Cocoon - Theme
TTITLE11=SFX - Event Horizon
TTITLE12=The Black Hole - Suite
TTITLE13=The Empire Strikes Back - Han Solo & The Princess
TTITLE14=Heavy Metal - Taama's Theme
TTITLE15=SFX - Dogfight
TTITLE16=Enemy Mine - Suite:Fynne IV/Scavengers/Drac Holy Council/The Rel
TTITLE16=ationship
TTITLE17=Close Encounters Of The Third Kind - The Conversation Begins
TTITLE18=Close Encounters Of The Third Kind - Main Title/Resolution & Fin
TTITLE18=ale
EXTD=The Liner Notes for Disc 1:\n\n1\t2001: A SPACE ODYSSEY -\n\tIntroduc
EXTD=tion from Also Sprach Zarathustra\n\t(Richard Strauss)\n\n\tDirector:
EXTD= Stanley Kubrick\n\tScript: Stanley Kubrick & Arthur C. Clarke\n\tSt
EXTD=arring Keir Dullea, Gary Lockwood\n\n\tRarely has a major motion pi
EXTD=cture attempted\n\tto tell its story without words. This film\n\tatt
EXTD=empted, for the most part, to present the\n\treality of space trav
EXTD=el. Without air, without\n\tsound, no thundering rockets or eerie 
EXTD=solar\n\twinds. Most suprising of all, Kubrick rejected\n\tthe use o
EXTD=f a dramatic underscore, almost\n\tgoing for a documentary approac
EXTD=h. Only a\n\tsparse use of classical music would break the\n\tsilenc
EXTD=e. Ultimately, the result was a unique\n\tmotion picture experienc
EXTD=e that audiences\n\teither hated, or passionately hailed as a mas-
EXTD=\n\tterpiece of film making. Strauss could not\n\thave imagined his 
EXTD=composition would become\n\tso linked to the rise of a sun seen fr
EXTD=om space,\n\tor the image of a floating Starchild.\n\n2\tSFX - Apollo
EXTD= 13 lift-off\n\n\tApollo 13 launches from Cape Kennedy.\n\n3\tAPOLLO 1
EXTD=3 - Main Title\n\t(James Horner)\n\n\tDirector: Ron Howard\n\tScript: W
EXTD=illiam Broyles, Jr & Al Reinert based\n\ton the book "Lost Moon" b
EXTD=y Jim Lovell\n\tPhotography: Dean Cundey\n\tStarring Tom Hanks, Kevi
EXTD=n Bacon, Bill Paxton,\n\tGary Sinise, Ed Harris, Kathleen Quinlan\n
EXTD=\n\tThis is the one, the only, true outer space\n\tadventure. Three 
EXTD=men trapped inside a crip-\n\tpled spacecraft. There will be no al
EXTD=ien inter-\n\tvention, no rocketships hurling to a last minute\n\tre
EXTD=scue. Only the combined know how of the\n\tground crew and their o
EXTD=wn wits stand\n\tbetween survival and a horrible death. For\n\tthose
EXTD= of us who lived through it, James\n\tHorner - composer of BRAVEHE
EXTD=ART, WIL-\n\tLOW, ALIENS - wrote a score that captured\n\tall the hu
EXTD=man pain and drama as the world\n\theld its collective breath. You
EXTD= knew the film's\n\tending, but Horner made getting there all the\n
EXTD=\tmore thrilling. His main title is undiluted\n\t"Americana", in th
EXTD=e tradition of Aaron Cop-\n\tland, Samuel Barber and Roy Harris, w
EXTD=ith solo\n\ttrumpet as a solitary, hear-rending feature.\n\n4\tTHE RI
EXTD=GHT STUFF - Finale\n\t(Bill Conti)\n\n\tDirector & Script: Philip Kau
EXTD=fman based on the\n\tbook by Tom Wolfe\n\tPhotography: Caleb Deschan
EXTD=el\n\tStarring Charles Frank, Scott Glen, Ed Harris,\n\tLance Henrik
EXTD=sen, Scott Paulin, Dennis Quaid,\n\tSam Sheppard, Fred Ward, Barba
EXTD=ra Hershey,\n\tVeronica Cartwright\n\n\tEpic, romanticized chronicle 
EXTD=of birth of the\n\tAmerican space program. From Chuck\n\tYaeger's he
EXTD=roic test flight that broke the\n\tsound barrier, through to the e
EXTD=xploits of the\n\tMercury 7 crew to become the fastest, highest\n\tf
EXTD=lying man. While John Glenn's name was\n\talways synonymous with t
EXTD=he original astro-\n\tnauts, the film also reminded the world of t
EXTD=he\n\tcontributions of Shepard, Grissom, and the\n\trest as real pio
EXTD=neers in a new frontier. Bill\n\tConti - composer of ROCKY, F.I.S.
EXTD=T., FOR\n\tYOUR EYES ONLY - mixed his original\n\torchestral score w
EXTD=ith classical pieces, such as\n\tHolst's THE PLANETS, and pop musi
EXTD=c of the\n\tperiod. The finale of his orchestral suite from\n\tthe f
EXTD=ilm includes nods towards the classics as\n\twell as his film comp
EXTD=oser perdecessor's.\n\n5\tSFX - \n\tAccellerated Protein Synthesis in
EXTD= Alien Organism\n\n\tRather too late, scientists decide to cultivat
EXTD=e\n\tthe alien organism to see what its natural form\n\tmay be...\n\n6
EXTD=\tSPECIES - End Titles***\n\t(Christopher Young)\n\n\tDirector: Roger 
EXTD=Donaldson\n\tScript: Dennis Feldman\n\tPhotography: Andrzej Bartowia
EXTD=k\n\tStarring Ben Kingsley, Natasha Henstridge,\n\tMichael Madsen, F
EXTD=orest Whitaker, Marg Hel-\n\tgenberger, Alfred Molina\n\n\tSil, a chi
EXTD=ld grown from alien DNA, escapes her\n\tgovernment captors who hav
EXTD=e decided to kill\n\ther. She grows overnight into a voluptuous\n\ta
EXTD=dult and proceeds to wreck havoc on the Los\n\tAngeles male popula
EXTD=tion in a search for the\n\t"perfect" mate. H.R. Giger, who design
EXTD=ed the\n\tcreature in "Alien," created Sil's true form and\n\tthe ev
EXTD=er reliable Christopher Young, no\n\tstranger to this genre - bein
EXTD=g composer of\n\tHELLRAISER, INVADERS FROM MARS -\n\tgives a musical
EXTD= presence to Sil's twin faces of\n\tbeauty and horror: The End Tit
EXTD=le being a fluc-\n\ttuating and impressionistic rhapsody with an\n\t
EXTD=unearthly female chorus emphasising the\n\tdeadly grace and charm 
EXTD=of Sil.\n\n7\tLIFEFORCE - End Title\n\t(Henry Mancini)\n\n\tDirector: To
EXTD=be Hooper\n\tScript: Dan O'Bannon & Don Jakoby based on\n\tthe novel
EXTD= "The Space Vampires" by Colin Wil-\n\tson Photography: Alan Hume\n
EXTD=\tStarring Steve Railsback, Peter Firth, Frank\n\tFinlay, Mathilda 
EXTD=May, Patrick Stewart\n\n\tA vampire tale for the atomic age. The cr
EXTD=ew of\n\tthe space ship Churchill, out to explore Hal-\n\tley's Come
EXTD=t, find three humanoids inside a\n\t150 mile long spaceship hidden
EXTD= within the\n\tcomet. These creatures turn out not to be\n\tblood su
EXTD=ckers, but soul collectors whose evil\n\tpower soon spreads across
EXTD= London like a\n\tplague. After the film was completed, over 15\n\tm
EXTD=inutes were cut, particularily from the open-\n\ting, while other 
EXTD=sequences were shuffled\n\taround. As a result, Henry Mancini's ex
EXTD=otic\n\tdramatic score was butchered by editing and,\n\tin some case
EXTD=s, had to be replaced with elec-\n\ttronic music written by Michae
EXTD=l Kamen.\n\n8\tSFX - The Nostromo\n\n\tDeep Space: commercial towing v
EXTD=ehicle\n\t"The Nostromo" en route to Earth\n\n9\tALIEN - End Title\n\t(
EXTD=Jerry Goldsmith)\n\n\tDirector: Ridley Scott\n\tScript: Dan O'Bannon 
EXTD=based on a story by\n\tDan O'Bannon & Ronald Schusett\n\tStarring To
EXTD=m Skerritt, Sigourney Weaver,\n\tVeronica Cartwright, Harry Dean S
EXTD=tanton,\n\tJohn Hurt, Ian Holm, Yaphet Kotto\n\n\tA successful blend 
EXTD=of the classic Sci-Fi mon-\n\tster on the loose premise, the haunt
EXTD=ed house\n\tand Agatha Christie's "Ten Little Indians." The\n\tcrew 
EXTD=of the deep space freighter Nostromo\n\tanswer a distress call onl
EXTD=y to take aboard a\n\tcreature that hides in the shadows and picks
EXTD=\n\tthem off one by one. Although one of Jerry\n\tGoldsmith's most i
EXTD=nventive and menacing\n\tscores, several cues were replaced by mus
EXTD=ic\n\tfrom his 1963 score for John Huston's\n\t"Freud", and the firs
EXTD=t movement of Howard\n\tHanson's Symphony #2 "Romantic" became\n\tth
EXTD=e finale and the end title. This album features\n\tGoldsmith's ori
EXTD=ginal End Title.\n\n10\tCAPRICORN ONE - Overture\n\t(Jerry Goldsmith)
EXTD=\n\n\tDirector & Script: Peter Hyams\n\tStarring James Brolin, Elliot
EXTD= Gould,\n\tO.J. Simpson, Sam Wanamaker, Hai Holbrook\n\n\tPeter Hyams
EXTD= made no friends at NASA when\n\the decided to exploit the notion 
EXTD=that the moon\n\tlandings were all faked by the American gov-\n\tern
EXTD=ment  at some movie studio. In the film, a\n\tfatal defect in the 
EXTD=life support system of the\n\tfirst manned spacecraft to Mars is d
EXTD=iscovered.\n\tToo late to cancel the flight, the space agency\n\topt
EXTD=s to fake it all rather than loose funding.\n\tHowever, when the s
EXTD=hip is destroyed during\n\tre-entry, the astronauts realize they h
EXTD=ave to be\n\tkilled to keep the secret. They flee for their\n\tlives
EXTD= into the desert with agents in hot pursuit.\n\tGoldsmith's score 
EXTD=captures both the thrill of\n\tthe astronauts flight, and the tens
EXTD=ion of the\n\tagency's dirty little secret.\n\n11\tCOCOON - Theme\n\t(J
EXTD=ames Horner)\n\n\tDirector: Ron Howard\n\tScript: Tom Benedek based o
EXTD=n the\n\tnovel by David Saperstein\n\tPhotography: Don Peterman\n\tSta
EXTD=rring Don Ameche, Wilford Brimley,\n\tHume Cronyn, Brian Dennehy, 
EXTD=Jack Gilford,\n\tSteve Guttenburg, Maureen Stapleton,\n\tJessica Tan
EXTD=dy, Gwen Verdon, Herta Ware,\n\tTahnee Welch\n\n\tElderly humans, was
EXTD=ting away in a Florida\n\tretirement home, find a new life when th
EXTD=ey\n\tstumble upon a group of genial aliends. They\n\tassist the cre
EXTD=ature, who have come to Earth\n\tto recover comrades they were for
EXTD=ced to leave\n\tbehind on an earlier visit. James Horner's\n\tscore 
EXTD=is a mixed bad. He uses a big band\n\tstyle accompaniment for the 
EXTD=senior citizens,\n\tand sweeping orchestral melodies to\n\trepresent
EXTD= both the alien's miraculous powers\n\tand their credo, where ther
EXTD=e is life, there\n\tis always purpose.\n\n12\tSFX - Event Horizon\n\n\tO
EXTD=ur ship has strayed too close to the col-\n\tlapsed star ahead of 
EXTD=us and we cannot pull\n\tfree. Soon we will reach the event horizo
EXTD=n,\n\twhen even light will not be able to escape\n\tthe pull of the 
EXTD=black hole's gravity.\n\tAnd then...(nothing)\n\n13\tTHE BLACK HOLE -
EXTD= Suite\n\t(John Barry)\n\n\tDirector: Gary Nelson\n\tScript: Jeb Rosebr
EXTD=ook & Gerry Day based on\n\ta story by Jeb Rosebrook, Bob Barbash 
EXTD=&\n\tRichard Landau\n\tStarring Maximillian Schell, Anthony Perkins,
EXTD=\n\tRobert Forster, Joseph Bottoms, Yvette\n\tMimieux, Ernest Borgni
EXTD=ne\n\n\tIn the far reaches of space, a small group of\n\texplorers co
EXTD=me upon a gigantic research ves-\n\tsel, once thought lost. The sh
EXTD=ip hovers impos-\n\tsibly near the event horizon of a collapsed\n\ts
EXTD=tar, a black hole. The phenonmenon has an\n\timmense gravitational
EXTD= pull, anything, even\n\tlight, cannot escape it. Boarding the shi
EXTD=p they\n\tdiscover the crew's horrible fate, and ultimate-\n\tly, th
EXTD=eir own. John Barry's as always elegant\n\tmelodies, gave the pict
EXTD=ure added depth, com-\n\tplimenting the film's expansive visual ef
EXTD=fects.\n\n14\tTHE EMPIRE STRIKES BACK -\n\tHan Solo & the Princess*\n\t
EXTD=(John Williams)\n\n\tDirector: Irvin Kershner\n\tScript: Leigh Bracke
EXTD=tt & Lawrence Kasdan\n\tbased on a story by George Lucas\n\tStarring
EXTD= Mark Hamill, Harrison Ford, Carrie\n\tFisher, Billy Dee Williams,
EXTD= Anthony Daniels\n\n\tThe second film in the George Lucas' "Star\n\tW
EXTD=ars" trilogy is by far the darkest in story and\n\tmood. The rebel
EXTD=s are driven from their secret\n\tbase on the ice planet of Hoth, 
EXTD=Han and the\n\tPrincess are pursued by Darth Vader and the\n\tImperi
EXTD=al Force, and Luke searches out the leg-\n\tendary Jedi master, Yo
EXTD=da, on a swamp planet.\n\tJohn William's superbly takes us through
EXTD= this\n\temotional rollercoaster and still had time to\n\tintroduce 
EXTD=this achingly beautiful love theme for\n\tHan Solo and Princess Le
EXTD=ia.\n\n15\tHEAVY METAL - Taarna's Theme\n\t(Elmer Bernstein)\n\n\tDirect
EXTD=or: Gerald Potterton\n\tScript: Dan Gldberg & Len Blum\n\tStarring t
EXTD=he Voices of John Candy, Joe Flaher-\n\tty, Eugene Levy, Harold Ra
EXTD=mis, John Vernon\n\n\tThis animated anthologywas based on the\n\tpopu
EXTD=lar graphic novel magazine and featured\n\ta variety of Sci-Fi/fan
EXTD=tasy store and art styles.\n\tFrom Harry Canyon, New York City cab
EXTD= driver\n\tog the future to the female barbarian warrior\n\tTaarna, 
EXTD=the visuals were supported by Elmer\n\tBernstein's rousing orchest
EXTD=ral score and a\n\tvariety of star-power rock songs. The film only
EXTD=\n\trecently came out on home video because of\n\tthe enormous diffi
EXTD=culty in clearing rights to the\n\tsongs. Although the rock album 
EXTD=remained in\n\tprint for years. Elmer Bernstein's music was\n\tonly 
EXTD=available on LP in limites quantities. Of\n\thistorical note, Taar
EXTD=na's theme was actually\n\tcomposed for Farrah Fawcett's character
EXTD= in\n\tthe 1980 film "Saturn 3," but never used.\n\n16\tSFX - Dogfigh
EXTD=t\n\n\tPilot Davidge is in a dogfight with a Drac fight-\n\ter; after
EXTD= a hit from his opponent he crashlands\n\ton the inhospitable surf
EXTD=ace of the planet\n\tFyrine IV.\n\n17\tENEMY MINE -\n\tSuite: Fyrine IV
EXTD=/Scavengers/\n\tDrac Holy Council/The Relationship\n\t(Maurice Jarre
EXTD=)\n\n\tDirector: Wolfgang Peterson\n\tScript: Edward Khmara based on 
EXTD=the story by\n\tBarry Longyear\n\tPhotography: Tony Imi\n\tStarring De
EXTD=nnis Quaid, Louis Gossett, Jr.\n\n\tAfter a ferocious dogfight, a h
EXTD=uman and an\n\talien Drac crash on a distant, hostile planet.\n\tHer
EXTD=e they meet for the first time face to face.\n\tIn their struggle 
EXTD=to survive, they are forced to\n\tjoin forces, utimately becoming 
EXTD=friends. When\n\tthe asexual Drac dies after giving birth, the\n\thu
EXTD=man is forced to care for it and in doing so,\n\tdevelops a bond t
EXTD=hat is destined to change\n\ttheir home worlds forever. Maurice Ja
EXTD=rre, a\n\tcomposer not often associated with Sci/Fi\n\tadventure fil
EXTD=ms, scored ENEMY MINE both\n\torchestrally and electronically to t
EXTD=ake advan-\n\ttage of both the human aspect of the story\n\tand its 
EXTD=unearthly locale. This suite features\n\tsections of both elements
EXTD= of Jarre's music\n\tand is an admirable display of how effectivel
EXTD=y\n\tfilm music can alter the mood and ambience\n\tof a sequence so 
EXTD=rapidly.\n\n18\tCLOSE ENCOUNTERS OF THE THIRD KIND -\n\tThe Conversat
EXTD=ion Begins\n\t(John Williams)\n\n19\tCLOSE ENCOUNTERS OF THE THIRD KI
EXTD=ND -\n\tMain Title/Resolution & Finale***\n\t(John Williams)\n\n\tDirec
EXTD=tor & Script: Steven Spielberg\n\tPhotography: Vilmos Zsigmond\n\tSt
EXTD=arring Richard Dreyfus, Teri Garr,\n\tMelinda Dillon, Francois Tru
EXTD=ffaut\n\n\tSpielberg's thoughtfully written and directed\n\tstory abo
EXTD=ut several ordinary people who stum-\n\tble upon the truth about U
EXTD=FOs. One, Roy\n\tNeary (Dreyfus), gets to participate in\n\tmankind'
EXTD=s first peaceful face to face meeting\n\twith the extra terrestria
EXTD=ls. After "Star Wars'"\n\tgrand themes, Williams goes instead for 
EXTD=sub-\n\ttle, sometimes frightening quality, right from\n\tthe starkn
EXTD=ess of the Opening Titles, and saves\n\tall his trademark flourish
EXTD=es for the thrilling\n\tappearance of the mother ship and the "res
EXTD=o-\n\tlution and finale".\n\nTHE CITY OF PRAGUE PHILHARMONIC\nConduct
EXTD=ed by NIC RAINE\nLeader: Josef Kroft\nOrchestra Contractor: Rudolp
EXTD=h Wiederman\n* Conducted by Paul Bateman\n** The Royal Philharmoni
EXTD=c Concert Orchestra\nConducted by Mike Townend - Solo Soprano: Ji
EXTD=l Washington\n*** Crouch End Festival Chorus (Chorus Master: Davi
EXTD=d Temple)\n\nOrchestrations:\n3\tDerek Wadsworth\n6\tPeter Anthony\n7\tH
EXTD=enry Mancini\n9,10\tArthur Morton\n11\tJack Hayes\n13\tNic Raine\n15\tCh
EXTD=ristopher Palmer\n17\tChristopher Palmer/Synths arr. Mark Ayres\n18
EXTD=\tSynth arr Mark Ayres\n
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